The Albumen Print

In 1850, L. D. Blanquart-Evrard (1802-1872), a French photographer, introduced albumenized paper for photographic prints. Albumen from the white of an egg was mixed with sodium chloride. Sheets of thin paper were coated with the albumen mixture and then sensitized with silver nitrate. A collodion glass negative could produce finely detailed photographs on albumenized paper. By the 1860s, most photographers were using collodion glass negatives and albumenized paper in the production of photographic prints.

Blanquart-Evrard exhibited his albumen prints at the Great Exhibition of 1851, announcing that his new process made it "possible to produce two or three hundred prints from the same negative the same day." The albumen print became an essential component for the mass production of photographic images and played an important part in meeting the public demand for stereographic cards and carte de visite portraits in the 1860s.




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Website last updated: 23 December, 2002

 

This website is dedicated to the memory of Arthur T. Gill (1915-1987), Sussex Photohistorian

 




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